![]() However, as a method for making the guitar more logical this is hard to beat! In this tutorial I'll take you through the advantages and disadvantages and get you started on working out shapes in this tuning. There are some downsides though and I'll go through those later in the tutorial. Now the guitar becomes much more symmetrical and all chords, arpeggios and scales are the same shape no matter what octave or position or string set your playing them in. This is true for scales, arpeggios and chords and is due to this major 3rd interval between the G and B strings.Īs an improvising musician it was important to me that the guitar was as easy to visualise as possible so that I didn't have to go through too many thought processes before getting access to the actual music! In order to achieve this I decided to tune the guitar in all 4ths giving me the notes, Standard tuning has evolved to provide a good compromise between simple fingering for many chords and the ability to play common scales with minimal left. Instead, the highest string can be tuned to E two octaves above the lowest: EADGCE. That’s pretty cool, except now barre chords don’t work as well because there are so many different notes. Handy!! This we cannot do on the guitar as all our chords change shape depending on what octave (in other words, string set) they're in. Starting on the low E string, a series of fourths would be: EADGCF. Apply to a song or chord progression: Take a common chord progression and use triads on one string group instead of playing open chords. I always found the interval of a third between the G and B strings a hindrance since I began to think a lot in terms of intervals, so I tried tuning my guitar in 4ths. If you were to play a C major chord in the lowest octave of a keyboard it looks exactly the same no matter which octave you transpose it into. Play the chord, say out loud the name of its inversion, then arpeggiate through the chord saying the note names as you play them (D major triad, second inversion, A, D, F). I was studying and practising a lot of scales and trying to move away from my more blues based playing. Now this becomes a problem when looking at symmetry on the neck. The interval between each of our first 4 strings is that of a perfect 4th, however, between the G and B strings we have the interval of a major 3rd and then back to a perfect 4th between the B and E strings. Tunings Your Links Dashboard Site Links All Guitar Tunings Generate Chords Scales Submit Tuning Guitar Tuners Tab Artists Videos. If we look at the notes and the distance between them we come to an interesting conclusion. However, there is a problem with this scale. This system of tuning is great as it allows us to play a great variety of fantastic material and works exceptionally well for playing chords and scales. In other words out strings are tuned to the following notes, ![]() Normally we tune the guitar in what we call standard tuning. Hi there guys and welcome to this tutorial on tuning in 4ths.
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