![]() Here are some other pop-culture moments when "Bye Felicia" was used flawlessly. Good thinking by him - it was the perfect ending to the scene. ![]() Ice Cube told that the saying of the catchphrase was his son's idea. The groupie orgy may have been factual and enhanced for cinematic reasons, but the use of "Bye Felisha!" was a fictional, and very clever, addition. Afterwards, Felisha appears, and Cube kicks her out of the hotel for disrupting the fun, saying, with perfect timing, "Bye Felisha!" Dre, along with Eazy-E (Jason Mitchell), Ice Cube (O'Shea Jackson, Jr.) and the rest of the N.W.A. He finds her "having fun" with another guy. A big, angry man with a gun asks, "Where's my girlfriend, Felisha? I know she's in here!" Dre slams the door and looks for Felicia. In one scene, the group is enjoying a post-concert hotel party with a group of naked and half-naked groupies. biopic, Straight Outta Compton, decided take full advantage and give the masses another nod to the phrase. For some unknown reason, it has reached maximum saturation in pop culture and the new N.W.A. Twenty years later, the phrase is the most popular it's ever been. After she asks to borrow Smokey's car and then for some weed, Craig becomes fed up and dismisses her by saying, "Bye Felicia" (or if you prefer, Felisha - I'm sure the spelling doesn't matter). There's something about it that says, "You're not that important to me, so I'm just going to call you Felicia and have you go on your merry way." It has withstood the test of time, and just when you thought it reached its peak, "Bye Felicia" pops up in Straight Outta Compton.Īs we all know, the origin of "Bye Felicia" goes back to Ice Cube's cult stoner classic Friday in a scene where Craig (Ice Cube) and Smokey (Chris Tucker) are bothered by the neighborhood's freeloading druggie Felisha. Not only is it an insult that dismisses any chickenhead that is irritating the hell out of you, but there's something very gratifying about it. Any sense of irony is lost.The term "Bye Felicia!" is essentially the "Talk to the hand!" of the 21st century, but unlike the tired '90s insult, "Bye Felicia" is a cultural phenomenon. On a huge television in on the corner, a ghostly loop of the Rodney King beatings play out a news channel. In one scene, we see Easy-E and his wife in their palatial mansion. Nor do we ever really understand what it is that connects manager Jerry Heller ( Paul Giamatti), a one-time promoter of mainstream rock acts like REO Speedwagon and Journey, to Eazy-E (Jason Mitchell), the hustling heart of NWA. ![]() a triad of separate tales, straight from the pages of a fictional magazine. “You are witnessing history,” a character exclaims at one point, but Gray doesn’t explain why. The auteur behind Moonrise Kingdom and The Grand Budapest Hotel this time. The process by which gangsta rap is created is never explored. Early on in the film, we see Ice Cube neatly jotting down lines in a notebook that’s as far behind the curtain as Gray goes. Unlike the excellent Brian Wilson film, Love And Mercy, Gray’s film is untroubled by the creative act. ![]() Gray delivers them in programmatic narrative beats, while simultaneously swerving away from accusations of misogyny in the band’s lyrics, associations with extremist organisations and Dre’s assaults on woman. There is too much to focus on – multiple arrests, Cube’s departure, legal sidebars, Dre’s defection to Suge Knight’s Death Row Records, Eazy-E’s death from AIDS. Sadly, Gray is unable to follow-up on such an exuberant first half.
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